The Maria Felix Necklace by Cartier
The Maria Felix necklace is a spectacular example of Cartier’s naturalism, a style that emphasizes realism, especially in the flora and fauna. The design of the necklace is sculpted, resembling a bracelet, and combines realism and playfulness.
Cartier’s maria felix necklace
Maria Felix, the famous Mexican actress, commissioned this necklace in 1968. It is a unique design that took thousands of hours and tremendous expertise to make. The necklace is paved with 2,473 diamonds. It is one of the most expensive pieces in the Cartier collection. This necklace has a lot of meaning, and it is a true work of art.
Cartier’s maria felix necklace is a piece of jewelry history. It was commissioned by Mexican film star Maria Felix and was inspired by a crocodile. The necklace is a true representation of this legendary beast, and is a unique and iconic piece of jewelry.
Felix’s collection of Cartier panthers was very large. She started out buying pieces from their existing collections and gradually made special orders. Felix, who was 88 at the time of her death, was a valued client for the company. Her estate, including racehorses that her late husband had owned, meant that she still had money to spend. Her earrings and necklaces eventually made their way into the Cartier collection, and she was honored with a special mention.
Maria Felix had many fans and was a favorite of Cartier. She had many famous films and was often photographed wearing her pieces. She had a particular affinity for snakes, which were said to represent strength, creativity, and wisdom. Throughout her life, she wore snake-themed jewelry. Her fascination with exotic animals led to many myths surrounding her. She was even photographed wearing a crocodile necklace.
Maria Felix had many friends, including the famous Mexican actress Frida Kahlo. She also had close relationships with Octavio Paz and Jean Cocteau. One of her pet crocodiles was immortalized in this necklace.
Maria Felix’s fascination with crocodiles
Maria Felix’s fascination with crocodes began as a child. When she was a little girl, she wore a coral cross as a lucky charm. As she grew older, her love of jewellery grew stronger and she had a collection of precious stones.
In 1975, Maria Felix entered a Cartier Paris store wearing two baby crocodiles. She requested the crocodiles be made into a necklace. Cartier agreed to make the necklace, but refused to sell it unless she kept two of them. Maria Felix wore one of the necklaces, and the other one was made by Cartier Paris.
Maria Felix was famous for wearing extravagant amounts of jewels. She was a star customer of Cartier and often made special requests. The actress was incredibly opinionated and fascinated with reptiles and had a huge jewelled bestiary made for her. She also wore beautiful and elaborate gowns and jewelry.
As a movie star, Maria Felix acted in a number of popular Mexican films. Her career as an actress was a major success, and she had many collaborations. Her fascination with crocodiles continued even into the jewelry industry, where she made a jewelry line for Cartier.
Cartier’s tradition of figurative jewelry
Cartier’s figurative jewelry tradition was shaped by the cultural and political milieu in which it was created. For example, the mid to late-1960s New York setting was characterized by a clash between formality and an innate sense of fun. This fusion was expressed in the company’s figurative jewelry designs, which often straddled the line between conspicuous pieces and traditional animals.
Cartier is a champion of the quest for beauty and the creation of exceptional jewels. It believes that beauty opens up doors to the imagination and artistic emotion. Yanni Tan, a singer-songwriter, recently attended a Madrid launch of the Cartier Beautes du Monde high jewellery collection. The event featured 97 new creations and a high-wattage crowd.
Since the early 20th century, the Cartier house has drawn inspiration from Indian and Islamic art. For example, the famous Tutti Frutti bracelet is adorned with colorful carved gemstones. Today, it sells for more than $2 million. This tradition has allowed the company to create timeless pieces.
In the 1930s, Cartier strayed from abstract Deco designs into figurative work. The famous panther and exotic birds became a signature, and a figurative piece made in his honor might fetch as much as $2 million at Christie’s NY.
In addition to figurative jewelry, Cartier has also branched out into watches. The Panthere watch, for example, features diamonds, onyx, and sapphires on its dial. The Panthere watch is a modern representation of the panther and has a unique design.
Another line in figurative jewelry is the famous Maria Felix necklace. This famous piece is the result of a commission by the Mexican actress Maria Felix. Maria Felix, who had the money, wanted to wear a jeweled necklace that was the perfect representation of the beast. The result was a spectacular piece.
Cartier’s influence on Mexican culture
Maria Felix, a well-known Mexican movie star, was a fan of Cartier. She commissioned a necklace featuring a life-size snake in order to represent her love of snakes. The necklace took two years to complete, and included a total of 2,473 diamonds set in its body. The necklace has a tiara and is flexible enough to be worn as a necklace or as a brooch.
In the 1930s, Cartier-Bresson traveled to Mexico City for an ethnographic mission. He had a particular fascination with Mexico, where surrealism had already taken hold. He had already visited Italy, Spain, and France’s African colony, the Ivory Coast. He was, however, little encouraged to stay in Mexico. Nonetheless, he hoped to use it as an opportunity to showcase his photographic skills.
Cartier’s influence on Mexican culture has not been entirely clear. Scholars have used different methods to understand the complexities of Cartier’s voyages. Some have used methods from historical geography, literature, and sociology to better understand the native people. Other scholars have tried reading between the lines and have borrowed from other disciplines.
Iturbide, meanwhile, studied filmmaking in Mexico City and worked as an assistant to Manuel Alvarez Bravo, who influenced him. The artist was also influenced by Henri Cartier-Bresson, and met the French master in the 1960s. The resulting photographs include scenes from wedding ceremonies and braiding of women’s hair. The photographs were published in 1989 as part of a book titled Juchitan de las mujeres.
The Cartier boutique in Mexico City recently reopened, with a new retail design concept. The new design incorporates brighter lighting, new windows, and a signature chandelier made from recycled glass. The new interior includes artwork by Mexican artist David Pompa. The boutique is 210 square meters in size, and features a complete line of Cartier products.
The Maria Felix Necklace by Cartier